Turkish art (Turkish: Türk sanatı) refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
The nakkashane, as the palace workshops are now generally known, were evidently very important and productive, but though there is a fair amount of surviving documentation, much remains unclear about how they operated. They operated over many different media, but apparently not including pottery or textiles, with the craftsmen or artists apparently a mixture of slaves, especially Persians, captured in war (at least in the early periods), trained Turks, and foreign specialists. They were not necessarily physically located in the palace, and may have been able to undertake work for other clients as well as the sultan. Many specialities were passed from father to son. (Full article...)
Today the Soviet Union is a friend and an ally. We need this friendship. However, no one can know what will happen tomorrow. Just like the Ottoman and Austro-Hungarian Empires it may tear itself apart or shrink in size. The people that it holds so tightly in its grip may one day slip away. The world may see a new balance of power. It is then that Turkey must know what to do. Ally Soviets have under their control our brothers with whom we share language, beliefs and roots. We must be prepared to embrace them. Being ready does not mean that we will sit quietly and wait. We must get ready. How does a people get prepared for such an endeavour? By strengthening the natural bridges that exist between us. Language is a bridge... Religion is a bridge... History is a bridge... We must delve into our roots and reconstruct what history has divided. We can't wait for them to approach us. We must reach out to them.