
Best Theater of 2023
Many of the plays and musicals that resonated this year deftly married elements of drama and comedy.
By Jesse Green, Laura Collins-Hughes, Scott Heller, Naveen Kumar, Juan A. Ramírez and
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Many of the plays and musicals that resonated this year deftly married elements of drama and comedy.
By Jesse Green, Laura Collins-Hughes, Scott Heller, Naveen Kumar, Juan A. Ramírez and

The musical, now midway through a sold-out Off Broadway run at the Public Theater, will transfer to the Shubert Theater in March.
By

In his new show, Gavin Creel sings about the wonders of visiting the Metropolitan Museum of Art, but sticks too close to the surface.
By

What happened when four young theater actors performed for an older generation? “I was expecting to have the best show ever and that happened.”
By

10 Performances That Pushed Emotional Limits
For our critic-at-large, the year was marked by the Black excellence of “Purlie Victorious,” the brutality of “Bottoms” and rage of “Beef.”
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No Snoozing Here: This ‘Sleeping Beauty’ Is Gearing Up for a Wild Ride
At Abrons Arts Center, a hilarious family show in the British holiday tradition that runs “like a steam train when it goes well.”
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A Wood-Carved Protagonist, Enduring the Brutality of War
A stage adaptation of J.M. Coetzee’s novel “Life & Times of Michael K,” about a man’s struggles during a fictional South African conflict, includes actors alongside a puppet version of Michael K.
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10 Works and Performances That Helped Me Make Sense of 2023
Global conflict and personal loss encouraged our critic to seek out art that gave her a better understanding of grief and healing.
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Review: A Shady Documentary Becomes a Weapon of War in ‘Spain’
Jen Silverman’s noir play considers the role of artists in the making of propaganda.
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Rébecca Chaillon’s “Carte Noire Named Desire” provoked harassment in France this summer, leading one actor to pull out of a new run in Paris.
By Laura Cappelle

Her Tony-winning Broadway career included “Driving Miss Daisy,” “On Golden Pond” and “The Heiress.” On TV she had maternal roles in “Cheers” and “Sex and the City.”
By Anita Gates

It’s a history “based on the necessity of opening up and looking beyond, instead of suffocating in, the small space of the self — not only to avoid being pigeonholed but also to exercise the muscle of sympathy.”
By Jesse Green

At 21, he already has two Broadway leads under his belt. On Thursdays, he sheds Marty McFly’s signature vest for a bowling shirt.
By Alexis Soloski

A new musical from National Yiddish Theater Folksbiene stitches together music written and performed in Eastern Europe in the 1930s and ’40s.
By Laura Collins-Hughes

The show, which toggles between the 17th century and the early 21st, arrives on the island on which it is largely set.
By Alexis Soloski

After establishing herself as a teacher, she started a prolific screen acting career in her 50s that included roles in “Goodfellas” and “The Sopranos.”
By Alex Williams

He was a villain in “Lethal Weapon 2,” C.S. Lewis on TV in “Shadowlands” and Falstaff onstage in “Henry IV” — and had a cameo in a Pet Shop Boys video.
By Clay Risen

Christmas classics, comedic musicals and a star-studded Sondheim revival: a guide to the shows to see this season.
By Rachel Sherman

The best-selling album turned veteran Cuban musicians into global stars and inspired a documentary almost 30 years ago. Now it’s an Off Broadway musical.
By Brian Seibert
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