The Wayback Machine - https://web.archive.org/web/20231205082443/https://www.nytimes.com/section/theater

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Theater

Highlights

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    Jessica Chastain and Arian Moayed as Nora and Torvald Helmer in Jamie Lloyd’s surgically precise Broadway production of “A Doll’s House.”
    CreditSara Krulwich/The New York Times

    Best Theater of 2023

    Many of the plays and musicals that resonated this year deftly married elements of drama and comedy.

     By Jesse Green, Laura Collins-Hughes, Scott Heller, Naveen Kumar, Juan A. Ramírez and

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      “The residents are more excited for this concert than anything we’ve ever publicly done,” the event’s organizer Evan Rossi said of the concert featuring, from left, Aria Kane, Corey J, Benjamin Pajak and Jillian Paige Platero.
      CreditNina Westervelt for The New York Times

      Broadway Babies, Singing Show Tunes for Seniors

      What happened when four young theater actors performed for an older generation? “I was expecting to have the best show ever and that happened.”

       By

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    Ali Wong and Steven Yeun in “Beef.”
    CreditAndrew Cooper/Netflix

    10 Performances That Pushed Emotional Limits

    For our critic-at-large, the year was marked by the Black excellence of “Purlie Victorious,” the brutality of “Bottoms” and rage of “Beef.”

     By

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    “Sleeping Beauty” cast members at a recent rehearsal at Abrons Arts Center. This original new pantomime is scheduled to run from Dec. 2 to 24.
    CreditAmy Lombard for The New York Times

    No Snoozing Here: This ‘Sleeping Beauty’ Is Gearing Up for a Wild Ride

    At Abrons Arts Center, a hilarious family show in the British holiday tradition that runs “like a steam train when it goes well.”

     By

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    “We agreed that it would just be Michael, his mother, the children and the animals that would be puppets,” said the director Lara Foot. Here, the puppets are operated by, from left, Nolufefe Ntshuntshe, Roshina Ratnam and Andrew Buckland.
    CreditAmir Hamja/The New York Times

    A Wood-Carved Protagonist, Enduring the Brutality of War

    A stage adaptation of J.M. Coetzee’s novel “Life & Times of Michael K,” about a man’s struggles during a fictional South African conflict, includes actors alongside a puppet version of Michael K.

     By

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    CreditSara Krulwich/The New York Times

    10 Works and Performances That Helped Me Make Sense of 2023

    Global conflict and personal loss encouraged our critic to seek out art that gave her a better understanding of grief and healing.

     By

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    In Jen Silverman’s “Spain,” at Second Stage Theater, Marin Ireland is fascinating to watch, our critic writes, delivering a typically incisive performance, here colored with a touch of period archness.
    CreditSara Krulwich/The New York Times

    Review: A Shady Documentary Becomes a Weapon of War in ‘Spain’

    Jen Silverman’s noir play considers the role of artists in the making of propaganda.

     By

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  3. T’s Holiday Issue

    How Jewish People Built the American Theater

    It’s a history “based on the necessity of opening up and looking beyond, instead of suffocating in, the small space of the self — not only to avoid being pigeonholed but also to exercise the muscle of sympathy.”

    By Jesse Green

     
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