
When a Princess Runs the Ball and Rescues a Timid Boy
For the Scottish Ballet production of Cinderella, titled “Cinders!,” some performances flip the traditional gender roles. The dancers “were all kind of like: ‘OK. How does that work?’”
By
Supported by

For the Scottish Ballet production of Cinderella, titled “Cinders!,” some performances flip the traditional gender roles. The dancers “were all kind of like: ‘OK. How does that work?’”
By

The five dance selections that are part of the Dance Reflections festival take varied approaches to piano exercises written by Philip Glass.
By
![Malou Airaudo, left, and Germaine Acogny in their duet “common ground[s]” at the Park Avenue Armory.](https://cdn.statically.io/img/web.archive.org/web/20231205082336im_/https://static01.nyt.com/images/2023/12/01/multimedia/30pina-review-vcjt/30pina-review-vcjt-videoLarge.jpg?auto=webp)
In a Dance Reflections program, Malou Airaudo and Germaine Acogny’s duet “common ground[s]” precedes Pina Bausch’s “Rite.”
By

Okwui Okpokwasili and Peter Born’s hybrid show, “Adaku, Part 1,” about a precolonial African village, mixes dance theater, song and drama.
By
Advertisement

Watch Martha Graham’s Dance of Empowerment
In 1936, Graham choreographed this scorching response to the rise of fascism.
By

Where Subway Dancers Practice Their Art
“You are the center of your own world. Any space is important,” the Congolese choreographer Faustin Linyekula told members of It’s Showtime NYC.
By


When a Ballerina Gets to Be Goofy
“Ballerinas never crash,” said Lauren Lovette, but, “I love falling to the floor.”
By

Rugged, Physical Work With Durability
In Abby Zbikowski’s “Radioactive Practice,” a dancer says, “You’re seeing survival and community in real time.”
By

Battle, the artistic director who brought Alvin Ailey American Dance Theater into a new century, resigned just before the company’s new City Center season.
By Gia Kourlas

A company of dancers from across Africa perform Bausch’s canonical work around the world. “I’ve always felt that this was an African dance,” said Germaine Acogny.
By Marina Harss

Siblings, a Soldier from Ukraine and a New Prince: Children are the heart of this New York City Ballet classic. We hung out with four in this year’s production.
By Gia Kourlas and OK McCausland

But “takemehome,” a look at isolation by Dimitri Chamblas in collaboration with the musician Kim Gordon, fades into its own shadows at NYU Skirball.
By Gia Kourlas

A judge on “Dancing with the Stars,” Hough has become one of the country’s most visible dancers. Now his “Symphony of Dance” is touring to 60 cities.
By Brian Schaefer

The choreographer and director Akram Khan’s reimagining of Kipling’s fable updates the message but leaves out the fun.
By Brian Seibert

The focus of her art is on realities that Black dancers face in the world of ballet. First she sculpted real dancers; then she brought in a familiar face to help bring them to life.
By Aruna D’Souza

Battle is stepping away after running the company for 12 years, citing health concerns.
By Brian Seibert

Begun to improve his own technique, piano exercises that Glass wrote over decades are the subject this month of a new book, a concert and dances.
By Joshua Barone

The Armory’s upcoming season also includes the North American premiere of ‘Inside Light.’
By Christopher Kuo
Advertisement
Advertisement