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“Offstage,” a new Times digital series, premieres with a focus on two challenges facing the nation’s biggest stages: an interrupted season and an unequal playing field.
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“Offstage,” a new Times digital series, premieres with a focus on two challenges facing the nation’s biggest stages: an interrupted season and an unequal playing field.
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Julia Rendleman, a freelance photographer for The New York Times, was accused of trespassing by the evangelical school run by Jerry Falwell Jr. in March.
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When is research considered reliable? The answer isn’t always fully known. Here’s the approach our journalists take in evaluating studies and their results.
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Do you have a story idea, a question for our newsroom or feedback on our coverage? Let us know.
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Following my favorite bar and its staff through the coronavirus lockdown turned out to be a difficult assignment, with more tears than beers.
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A lot of thought goes into how best to capture the scene and the individual stories behind it, but in the end, anything can happen.
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A collaboration between the National desk and the University of California-Berkeley offered a chance at “public service work during this unparalleled time.”
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In a video discussion, three Times journalists talked about what they’re hearing at demonstrations, and the racial issues behind them.

The pandemic hasn’t dramatically changed the job of a Times television critic. Yet.
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People who have experienced homelessness share their stories.
By Jill Cowan and

The lights are dazzling. But there are several other practical reasons that they stay on all night long.
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Monday: The latest in the Your Lead series. Also: Why California’s and Texas’ 2020 census campaigns are so different, and Raider Nation migration.
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Monday: An expert talks about the effects of seeing people living on the streets. Also: A major PG&E settlement, and Katie Hill speaks out.
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Our readers in California have asked how to help those who are homeless. Others who’ve experienced homelessness tell us what made a difference to them.
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And what is an editorial board anyway?
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Our executive editor, Dean Baquet, addresses readers’ concerns about the decision to publish information on a person who is central to the Trump impeachment inquiry.
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The Times’s deputy editorial page editor, James Dao, answers questions about how we handled an essay on the Supreme Court justice and a third accusation of sexual misconduct.
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A deputy managing editor addresses a front-page headline about President Trump that readers criticized for lacking important context.
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The business and economics editor for Opinion gives insight into how families were chosen for a feature about America’s middle class.
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Times reporters and editors take careful measures in their personal lives to remain objective in their work.
By Caryn A. Wilson and

Our deputy editorial page editor explains the endorsement process and introduces an experiment to make it more open.
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At The New York Times, it’s an institutional voice, but not the voice of the institution as a whole.
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Today’s A1 is the result of a far more democratic and organic process than the one in place when I arrived at The Times in 1978.
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A good poem can jolt our minds into thinking about the country’s most important stories in unexpected ways, our National editor writes.
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Marc Lacey, the National editor, will be onstage with the CNN anchors Anderson Cooper and Erin Burnett at the first debate The Times has hosted in more than a decade.
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Hint: It involves cold, hard cash.
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Theo Balcomb talks about the challenges of running such a popular podcast, the gray area it embraces and her early days in audio reporting.
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Kevin Roose gets into the future of technology, the anxiety of publishing a huge story and his newest hobby (no screens involved).
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Reporting on the military comes with some perks, like flying in bomber planes and playing with high-tech equipment.
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